This PRS Paul's Guitar in Faded Blue Jean is finished in a custom color. This specific guitar doesn't feature the scraped maple binding so you get a more uniform, consistent look from edge to edge. Paul's Guitar is named simply but appropriately, and understandably. Once you hear all the tones, musical tones, that this guitar is capable of, you'll soon get why it's the guitar of choice from the guy whose name is on the headstock!
“I don’t just like the newest version of my guitar, I love it. With these new pickups, I can move from a strong bridge pickup to a very clear, “whoopy” neck pickup – you can hear every note – by just setting the mini-toggles and using the 3-way as normal. It’s a highly musical and very usable setup. This guitar has clear, spanky single coils when you split the pickups but a very full soapbar quality when they are in humbucking mode. It’s just beautiful.” - Paul Reed Smith
Historically, the Paul’s Guitar (like the Modern Eagle before it) has been a realization of Paul Reed Smith’s latest discoveries surrounding tone. Paul specified every appointment of this instrument from the wood selection and inlay design to the pickups. This revamped model represents Paul’s vision not only as a guitar maker but as a guitar player who needs a versatile stage and studio ready guitar that can achieve all the right tones. As a man who has every option available to him, Paul’s personal design choices include mahogany bodies with maple tops, Honduran rosewood fretboards, Nitrocellulose finishes, “Brushstroke” bird inlays, and narrow pickup bobbins. The Paul’s Guitar model also includes PRS’s TCI (Tuned Capacitance and Inductance) treble and bass pickups with two mini-toggle switches that allow players to put either or both pickups in either humbucking or true single-coil mode.